★★★★★ – The Times
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• First ever exhibition to consider Elizabeth I and Mary, Queen of Scots together, putting them both centre stage and giving them equal billing
• Rare opportunity to see original documents written in the queen’s own hands and words alongside 16th-century maps, paintings and jewels
• Accompanied by a programme of events, range of merchandise and 600 early modern manuscripts now being freely available online

Elizabeth and Mary: Royal Cousins, Rival Queens (8 October 2021 – 20 February 2022) is the first major exhibition to consider Elizabeth I and Mary, Queen of Scots together, putting them both centre stage and giving them equal billing. The exhibition takes a fresh and revealing look at the infamous story of two powerful queens bound together by their shared Tudor heritage, whose turbulent relationship dominated English and Scottish politics for thirty years.

From amicable beginnings to distrust and betrayal, the exhibition explores the complex relationship between Elizabeth I and Mary, Queen of Scots through their own words. Despite their fates being intertwined, the queens never met and their relationship was played out at a distance, much of it by letter. This exhibition offers a rare opportunity to see their original correspondence.
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Drawing on the British Library’s outstanding collection of early modern manuscripts and printed books, Elizabeth and Mary’s autograph letters will be displayed alongside 16th-century state papers, speeches and cipher documents, as well as beautiful maps, drawings and woodcut engravings to illustrate key moments and events. There will also be paintings, jewels, textiles, maps, drawings and objects borrowed from private and public collections in the UK and Spain.

Dr Andrea Clarke, lead curator of Elizabeth and Mary: Royal Cousins, Rival Queens at the British Library, said:

‘Almost 500 years on, the story of Elizabeth I and Mary, Queen of Scots continues to fascinate and enthral. It is a story of two women whose lives were inextricably connected, for not only were they fellow sovereign queens but also, as Mary reminded Elizabeth in countless letters to her, ‘both of one blood, of one country and in one island’. It is remarkable that many of the themes woven through the exhibition narrative, such as Anglo-Scottish relations, international diplomacy and Europe, state surveillance and espionage, still have a deep resonance today.’

Revealing a dangerous world of plots, espionage and treachery, Elizabeth and Mary: Royal Cousins, Rival Queens will explore how the drama unfolded against the backdrop of an England and Scotland deeply divided between Protestants and Catholics and a Europe torn apart by religious conflicts and civil wars.

​Exhibits include:

• Elizabeth’s handwritten translation of her stepmother Katherine Parr’s Prayers and Meditations (1545), which was a gift for her father Henry VIII
• Sonnet handwritten by Mary, Queen of Scots the night before she was executed (1587), which might be the last thing she ever wrote, on loan from the Bodleian Library
• Elizabeth I’s mother of pearl locket ring (c.1575), which opens to display miniature portraits of herself and her mother Anne Boleyn, by kind permission of the Chequers Trust
• Late 16th-century gold necklace and gold enamelled, heart-shaped locket set with two miniature portraits said to be of Mary and her son, James VI, on loan from National Museums Scotland. Known as the ‘Penicuik Jewels’, they are thought to have been given away by Mary, Queen of Scots at her execution
• ‘The Marian Hanging’ decorated with embroideries sewn during Mary Queen of Scots’ English imprisonment, on loan from the Victoria and Albert Museum
• Portrait of Mary, Queen of Scots painted by the leading French painter François Clouet (c.1560-61), lent by Her Majesty the Queen from the Royal Collection
• Portrait of Elizabeth I attributed to George Gower (c.1567), which provides one of the very best likenesses of her, on loan from a private collection
• Elizabeth I’s speech dissolving parliament in 1567 where she attacked MPs questions about the succession as ‘lip-laboured orations out of such jangling subjects’ mouths’
• Warrant confining Mary, Queen of Scots in Lochleven Castle in 1567, following her forced abdication for refusing to try her third husband, James Hepburn, Earl of Bothwell, for the murder of her second, Henry Stewart, Lord Darnley, on loan from the National Library of Scotland
• The first letter handwritten by Mary, Queen of Scots in English, sent to Sir Francis Knollys after fleeing across the border into England (1568)
• Robert Beale’s eye-witness drawing of Mary, Queen of Scots’ execution (1587), depicting her entering the hall, disrobing, and placing her head on the block
• Henry VIII’s last will and testament (1546), which established the succession after his death, on loan from The National Archives
• King Henry VIII’s Great Bible (1540) printed by Edward Whitchurch on vellum and illuminated, which was later inherited by Elizabeth I
• 15th-century carved stone head, which was once part of a full-length figure of St Andrew at St Andrews Cathedral and was toppled at the Reformation, on loan from the Board of Historic Environment Scotland
• Hand drawn map of the British Isles by antiquarian Laurence Nowell (1564-5), which belonged to Elizabeth’s closest adviser, Sir William Cecil
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There is a programme of talks, panel discussions, lectures and cultural events to accompany the exhibition, and a new catalogue edited by Professor Susan Doran with essays from leading Tudor historians, which is available from the British Library shop and all major bookstores.
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The exhibition is sponsored by The Sir John Ritblat Family Foundation, with thanks to the John S Cohen Foundation and all supporters who wish to remain anonymous. The exhibition catalogue is supported by The Strathmartine Trust.

​When: Fri 8 Oct 2021 - Sun 20 Feb 2022
Opening times and visitor information

Price:
​Full Price: £16.00
Member: £8.00
Student: £7.00
Registered Unemployed: £7.00
Disabled: £7.00
National Art Pass Senior: £8.00
Child (0-11) : £0.00
Child (12-17): £3.50
National Art Pass: £9.00
Senior (60+): £8.00
Young Person (18-25): £7.00

Based on incredible true events, Six Minutes to Midnight is a tense World War II spy thriller starring Emmy Award® winner Eddie Izzard (Valkyrie), Carla Juri (Blade Runner 2049), James D’Arcy (Dunkirk) and Academy Award® winners Judi Dench (Skyfall) and Jim Broadbent (The Iron Lady).

Summer 1939. Britian is on the eve of war and yet peace remains in the picturesque seaside town of Bexhill-on-Sea where influential families in Nazi Germany have sent their daughters to a prestigious finishing school to learn the language and be ambassadors for a future looking National Socialist party.

When new teacher, and undercover agent of the British Secret Service, Thomas Miller (Eddie Izzard) joins the school he discovers a plot to remove the girls from the country before the outbreak of war. With the innocent young women now being used as expendable politcal pawns by the Nazi elite, Miller attempts to raise the alarm. But when his superior officer and the only man aware of his true identity is murdered before his eyes, the British authorities believe Miller himself to be the culprit. Now the chase is on, will the secret agent be captured before he has a chance to reveal the truth and save the girls?

Directed by Andy Goddard (Set Fire to the Stars), Six Minutes To Midnight is a thrilling tale of WWII espionage based on the incredible true events of the Augusta-Victoria college, a British finishing school for the Nazi high-command. Written by the film’s stars Eddie Izzard and Celyn Jones (Mr. Jones), Six Minutes to Midnight features a cast of award-winning British talent including screen legends Judi Dench and Jim Broadbent.

This year’s Daily Mail Chalke Valley History Festival is like no other. A slightly shortened version due to the pandemic, the organisers have none the less packed it with a more complete and wide-ranging programme than ever before. The full line- up is now online and can be found at www.cvhf.org.uk.

The festival promises to offer a full assault on the senses. Those attending will be able to watch our greatest living playwright and learn how to build a Roman road. There will be a former Archbishop of Canterbury and political party leader alongside some of the best-known and loved TV historians. There will be demonstrations from the Tudor kitchen, stone age flint-knapping and a Cold War-era armoured brigade headquarters. It will be possible to learn about the dark art of 19th century body- snatching, how to make wattle and daub, and learn how to make a Tudor salve and herbal cure. The head of the UK’s Armed Forces, the best-known shepherd in the land, and the most eminent international human rights lawyer in the UK will all be speaking. There will be Sword School, a vintage fairground, some of the country’s
most brilliant, successful and eminent historians but also late-night storytelling around the fire with Dan Snow and Michael Wood, and fast and furious fun with the History Tellers.

And as with any English country festival, there will be food, glorious food – and historical fast food too – as well as drink, camping, glamping and live music every single day of the festival from 1920s flapper music to the ancient ballads of English folk music.

Those coming to the festival will be able to see history, touch history, taste history and smell history too – and all in the stunning ancient downland of the Chalke Valley – a place of immense history in its own right.

Festival Chair, James Holland, says: “I’m really very excited about this year’s festival.  Despite the challenges of the last year we’ve been able to produce a really inclusive and very wide-ranging programme that feels fresh, vibrant and fun. It will be midsummer, lockdown will be over, and I can’t wait to unleash this historical pageant.”

The stellar list of historians and speakers at this year’s festival include: Tracy Borman, Sir Vince Cable, General Sir Nick Carter, Diana Cavendish, Niall Ferguson, Anne Glenconner, Sir Max Hastings, Charlie Higson, Tom Holland, Katja Hoyer, Cat Jarman, Hermione Lee, Professor Margaret Macmillan, Rana Mitter, Al Murray, Jim
Naughtie, Neil Oliver, James Rebanks, Dominic Sandbrook, Dan Snow, Sir Tom Stoppard, Rowan Williams, Marina Wheeler and Michael Wood.

Due to government guidelines, there may be restrictions on the number of tickets for sale at the festival this year. The festival strongly advises those wishing to attend to book tickets early to avoid disappointment. All of the Outdoor Programme will be available on a single daily ticket (with add-ons for Sword School and fairground rides), and at a price that has been kept deliberately low and which promises astonishing value for money awhile tented events will require an individual ticket, as was the case in the past. Tented ticket prices will, however, also include access to
the Outdoor Programme.

This year, there will be no Chalke Valley History Festival for Schools, although the festival is producing a programme of curriculum-based films, ready for the start of the academic year this September, and which will be entirely free for all teachers, pupils and schools. A special and separate online portal will be created for this.

All profits from the festival are ploughed back into the Chalke Valley History Trust, which operates to promote the enjoyment and better understanding of history for all ages but especially to school children.

Tickets go on sale to the general public on Wednesday 19th May and will be released two days earlier on Monday 17 th May to the Friends membership.

Talks given by incredible historians, taken from the past ten years of the festival, can now be heard on the Chalke Valley History Festival podcast. Entitled #ChalkeTalk, the podcasts are released three times a week.

On 28 May 2021 Royal Museums Greenwich, in collaboration with the National Portrait Gallery, London, will open Tudors to Windsors: British Royal Portraits at the National Maritime Museum, a major art exhibition exploring the changing nature of the British monarchy and royal portraiture over 500 years.

Tudors to Windsors will feature over 150 works, including famous paintings, miniatures, sculpture, photographs, medals and stamps spanning five royal dynasties: Tudors, Stuarts, Georgians, Victorians and Windsors. Visitors will come face-to-face with the kings, queens, heirs, consorts and favourites who have shaped British royal history and portraits by some of the most important artists to have worked in Britain, often under the direct patronage of the Royal Family, from Sir Peter Lely and Sir Godfrey Kneller to Andy Warhol, Cecil Beaton and Annie Leibovitz.

The majority of the artworks are drawn from the outstanding collection of the National Portrait Gallery. The loans will be on display alongside works from private lenders and pieces from the National Maritime Museum’s own renowned collection.

Beginning with the famous and infamous kings and queens of the Tudor dynasty, a period that coincides with the foundations of portrait painting in England, the exhibition will explore the development of the royal portrait as statements of wealth, power, continuity and tradition and how this was impacted by both the personalities of individual monarchs and wider historical change.

Highlights on display include the earliest known portrait of Henry VII – the oldest artwork in the exhibition – painted in 1505 by an unknown artist, as well as the famous ‘Ditchley Portrait’ of Elizabeth I by Flemish artist Marcus Gheeraerts the Younger. Regal portraits of Charles II and his mistresses will feature alongside early 19th century domestic photographs of Queen Victoria and her family. A selection of paintings and photographs of Queen Elizabeth II by Cecil Beaton and
Annie Leibovitz will be displayed, alongside portraits of other members of the current Royal Family.

The exhibition takes place in the historic setting of Greenwich, one of London’s key royal sites as the location of the principal Tudor palace, the birthplace of Henry VIII and Elizabeth I, the home of the Royal Armouries and the location of the Queen’s House, commissioned by James I’s consort Anne of Denmark, and the Royal Observatory founded by Charles II.

Tudors to Windsors: British Royal Portraits is on at the National Maritime Museum from 28 May 2021.

Nero: the man behind the myth will explore the true story of Rome's fifth emperor informed by new research and archaeological evidence from the time, challenging the biased historical accounts written after Nero’s death that have shaped his legacy.

Recent discoveries relating to Nero’s fourteen-year rule reveal a more accurate picture. Treasures hidden during the destruction of Colchester in AD 60-61 during Boudica's Iceni rebellion, burned artifacts from the Fire of Rome in AD 64, and evidence from the destruction of Pompeii uncover a new understanding of Nero’s turbulent and misconceived reign.

Tickets are available to book today for Nero: the man behind the myth opening 27 May, as well as tickets to the special exhibition Thomas Becket: murder and the making of a saint, opening 20 May. The Museum plans to reopen on 17 May and free tickets to visit the permanent collection are also available to book now.

This major exhibition will feature over 200 objects, charting the young emperor’s rise to power and examining his actions during a period of profound social change in regions from Armenia in the Near East, to Britain, and across mainland Europe. Drawn from the British Museum's world-class collection alongside rare loans from Europe, most never seen in the UK before, the exhibition includes humble graffiti next to grand sculpture, precious manuscripts, objects destroyed in the fire of Rome, priceless jewellery and slave chains from Wales, telling the story of rich and poor alike.

Nero (r. AD 54–68), the last male descendant of Rome’s first emperor Augustus, succeeded to the throne aged only sixteen. Britain had been under Roman rule for just eleven years. During his reign of nearly fourteen years, he had his own mother killed, his first wife, and allegedly his second wife. Written accounts even claim that Nero himself started the Great Fire of Rome in AD 64. In June AD 68, when confronted with rebellions by insubordinate military officials, Nero was forced to commit suicide. The Roman senate immediately excised his memory from official records, and his name was vilified to legitimise the new ruling elite.

The image of Nero as a tyrant created 50 years after his death by the historians Tacitus and Suetonius, and written about more than another century later by Cassius Dio, is a story that has been repeated for centuries. We now know that this Nero is a fabrication and that ancient sources stand between us and the historical character. This exhibition challenges traditional preconceptions and explores what the ancient elite narrative on Nero tells us about the inner conflicts of Roman society.

Statues of Nero were erected throughout the empire, yet very few survive due to the official suppression of his image. A star piece in the exhibition is a bronze head of Nero, long-mistaken as Claudius, which was found in the River Alde in Suffolk in 1907. The head was part of a statue that probably stood in Camulodunum (Colchester) before being torn down during the Boudica-led rebellion. A small bronze figure of Nero, lent by Museo Archeologico Nazionale di Venezia and seen in the UK for the first time, gives a rare sense of a complete sculpture.

The Fenwick Hoard will be shown as part of a major exhibition for the first time since it was discovered in 2014 beneath the floor of a shop on Colchester’s High Street. The treasure was buried for safekeeping by settlers fleeing for their lives during Boudica’s attack. Among the items are Roman republican and imperial coins, military armlets and fashionable jewellery very similar to finds from Pompeii and Herculaneum.

Famously, Nero was the first Roman emperor to act on stage and compete in public games as a charioteer. Aged 21, Nero first took to the stage as part of private games, but a few years later he performed publicly in Naples and then in Rome itself. This event was described in hostile sources as unprecedented and scandalous, but contemporary evidence shows that Nero was hardly the first young man of good family to take part in public performances. Chariot racing, gladiatorial combats and theatre were incredibly popular in the Roman world, as shown by fascinating objects such as gladiatorial weapons from Pompeii on loan from the Louvre, stunning frescoes depicting actors and theatrical masks lend by Museo Archeologico Nazionale di Napoli.

One of the defining moments of Nero’s reign was the Great Fire of Rome in AD 64, which burned for nine days and laid waste to large parts of the city. Excavations in recent years have revealed the true extent of the ferocity and impact of the fire.  A warped iron window grating, discovered near the Circus Maximus, will be displayed in the UK for the first time, as testament to the intensity of the flames and destruction.

Nero, who was in the nearby city of Antium rather than in his palace watching the inferno, led the relief and reconstruction efforts. A new palace, the Domus Aurea, rose from the ashes. Stunning frescoes and wall decorations will give visitors a taste of Nero’s opulent residence. The elaborate designs and the use of precious materials such as exotic marbles, cinnabar and gold speak to the height of imperial luxury.

Visitors will ask themselves, who was Nero? A young ruler reconciling contrasting demands in a time of great change, or a merciless, matricidal maniac? Nero was widely admired among ordinary Romans due to his popular policies, extravagant games, and grand building projects, in stark contrast to the powerful voices of the senatorial authors who ultimately determined Nero’s legacy. It is they who fabricated the enduring image of the mad tyrant that still fascinates us today.

Thorsten Opper, Curator, Ancient Rome, British Museum, said ‘The Nero of our common imagination is an entirely artificial figure, carefully crafted 2000 years ago. It is fascinating to unravel how and why this was done. The exhibition - from court art to street graffiti - reveals a society that was prosperous and dynamic, yet full of inner tensions, which erupted in a violent civil war after Nero’s death. The objects tell these stories, starkly and immediately.’

Hartwig Fischer, Director of the British Museum, said ‘Nero: the man behind the myth is the first major exhibition in the UK to look beyond the commonly held view of Nero as the Emperor who fiddled while Rome burned. The exhibition’s representation of Nero is one that resonates with our times, in a world with deepening social and economic challenges, contested facts and the polarisation of opinion.

I would like to express my gratitude to our long-term exhibition partner BP. Without their support, the British Museum would not be able to present such exhibitions, allowing visitors to explore the complex character of Nero – real and imagined.’

Nero: the man behind the myth runs from 27 May to 24 October 2021 in the Sainsbury Exhibitions Gallery at the British Museum.

Open Saturday – Thursday 10.00–17.00, Friday 10.00–20.30. Last entry 90 mins before closing.
Adult tickets £20 weekdays and £22 weekends, under 16s free, 2-for-1 tickets for students on Fridays, and concessions and group rates available.

britishmuseum.org/nero
+44 (0)20 7323 8181

In March 1943 the code breakers at Bletchley Park, Britain's top secret intelligence station, are facing their worst nightmare. Nazi U boats have unexpectedly changed the code by which they communicate with each other and German High Command. An Allied merchant shipping convoy crossing the Atlantic with 10,000 passengers and vital supplies is in danger of attack. 

The authorities turn for help to Tom Jericho, a brilliant young mathematician and code breaker. Unknown to his colleagues, Jericho (Dougray Scott) has another equally baffling enigma of his own to unravel. Claire, the woman with whom he has fallen in love, has disappeared from Bletchley just when the authorities suspect there may be a spy at the Park. To get to the bottom of both mysteries he enlists the help of Hester, Claire's best friend (Kate Winslet). Together they keep one step ahead of the secret services and investigate Claire's mysterious life, reaching a conclusion that uncovers international and personal betrayals. Also starring Jeremy Northam and Saffron Burrows.

The largest celebration of history in the UK, The Daily Mail Chalke Valley History Festival is set to return from the afternoon of Wednesday 23 rd to the evening of Sunday 27 th June. Taking place at its spectacular venue in Broad Chalke, near Salisbury in Wiltshire, it will be one of the first big ‘live’ events of the summer, starting just two days after the proposed lifting of Covid restrictions on 21 st June.

After much consultation with the relevant authorities and key stakeholders, the five- day event - made possible after receiving a generous grant from the Arts Council Culture Recovery Fund - will take place in accordance with Government guidelines, with strict health and safety regulations in place where necessary.

As an outdoor festival, many of the planned activities will be centred around two big marquees and two new stages that will host talks as well as the large tents. The festival will offer its usual amazing line-up of talks, topical debates, living history and activities for children, with eminent historians and household names all bringing history to life.

James Holland, Festival Chair, said: “We are incredibly excited about the festival’s return. It will be the first big family event to take place in nearly 18 months, and I know the general public, currently starved of real-life festivals, are desperate to get back to some kind of normality. This will be a fabulous chance for families to go out, have fun, meet friends across the spacious layout of the site, to soak up some culture in a safe environment. It goes without saying that the safety of all those attending will be our upmost priority. The programme is going to be wide-ranging with lots to see and do, and we really can’t wait to welcome everyone back!”

There will not be a physical Festival for Schools this year. Instead, the festival will be creating a wealth of specifically generated content ready for the start of the academic year in September. This will include filming curriculum-based talks from leading academics and historians relevant for students in Years 10 and 12, and also delivering a mass of filmed material for Years 6, 7, and 8. In this way the festival will provide a long-term, free digital resource in line with the aims of the Chalke Valley History Trust.

John Glen, local MP for Salisbury, said: “The Chalke Valley History Festival is one of the jewels in the crown of the area’s cultural life. It is wonderful news that it can proceed this year. It will be a huge boost to the morale of both history buffs and the many local businesses, which supply and support the festival.”

The full programme, and more detailed information about what’s in store this year, will be unveiled very soon. Tickets will go on sale to the general public on Wednesday 19 th May.

Talks given by incredible historians, taken from the past ten years of the festival, can now be heard on the Chalke Valley History Festival podcast. Entitled #ChalkeTalk, the podcasts are released three times a week.

The Daily Mail Chalke Valley History Festival will take place at Church Bottom, Broad Chalke, Salisbury, Wiltshire, SP5 5DS.

For more details about the Festival, please visit www.cvhf.org.uk Follow all the news on Twitter at @CVHISTORYFEST and on Facebook and Instagram.